LE MAUVAIS OEIL 13 : LINOKULT / The Evil Eye 13: LINOKULT

LE MAUVAIS OEIL 13 : LINOKULT / THE EVIL EYE 13: LINOKULT
Exposition collectve autour de la gravure sur lino et autres matières à imprimer.
Avec la participation du collectif américain Outlaw Printmakers
Printmaking Group Exhibition using linocut and other printing materials.

With the participation of the american Outlaw Printmakers:

RYAN O-MALLEY, JULIA CURRAN, TYLER KRASOWSKI, JOHN ET CHARLES HANCOCK (THE AMZING HANCOCK BROTHERS), DERRICK RILEY, SEANSTARWAR, PAT SEALS, CARLOS BARBERENA, CARLOS HERNANDEZ, RICKY RUIZ, RICARDO RUIZ, LUCAS B BARRAZA, TOM HUCK, TIMOTHY GEORGARAKIS, DENNIS MCNETT, NICK ALLEY, ALKBAZZ, LUDOVIC LEVASSEUR, OLAF LADOUSSE, YOKOGAGA, NICOLAS CHOUVY, ICHIBA DAISUKE, ARNAUD ROCHARD, WILLIAM WILSON, BILL FICK, MARC BRUNIER MESTAS, PAKITO BOLINO.

La McMona “La McMona” Linocut by Carlos Barberena

VERNISSAGE le 13.10.13 à 18h / OPENING 10/13/13
Suivi d’un concert à Data (44 rue des Bons Enfants) à 20h
JUDAS DONNEGER et LA COUPURE

Exposition du 13.10.13 au 11.11.13  / Open to public from 10/13/13 trough 11/11/13              Atelier du Dernier Cri
lund-vend : 10h-17h / Monday-Friday: 10am to 5pm.
Sam-Dim 13h-19h – 06 12 79 28 75 / Saturday-Sunday: 1pm to 7pm
Friche la Belle de mai – 41, rue Jobin – Marseille, 3ème
www.lederniercri.org
www.mauvaisoeil2013.free.fr

ATTENTION !!!
LE MAUVAIS OEIL 13 À L’EMBOBINEUSE EST EXCEPTIONNELLEMENT LA VEILLE, LE SAMEDI 12 À 21H
CONCERTS DE
DDAA, COMMANDER KEEN ET CHOMO

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About carlosbarberena

Carlos Barberena is a Nicaraguan self-taught Printmaker based in Chicago where he runs his printmaking project La Calaca Press. Barberena has exhibited individually in Costa Rica, Estonia, France, Mexico, Nicaragua, Spain and The USA. His work has been shown in important Art Fairs, Art Biennials, Museums, Galleries, Universities and Cultural Centers around the world, among them: the 7 International Printmaking Biennial of Douro at the Lamego Museum in Portugal; Printmaking In / In Graafika Fest at Linnagallerii, Parnu, Estonia; the IX Nicaraguan Visual Arts Biennial (IX BAVNIC) - Ortiz-Gurdián Foundation. “Recycling Memory: Recapturing the Lost City” curated by Omar López-Chahoud. PAC Museum, Managua, Nicaragua; Tartu Printmaking Fest 2014, Tartu Art House, Tartu, Estonia; LAPS 21, National Printmaking Biennial, CSUN Art Galleries, Northridge, CA; Pulso: Arte de las Américas, KCAD Fed Galleries, Grand Rapids, MI; “Santitos” curated by René Arceo, Loyola University Museum of Art (LUMA), Chicago; Hanal Pixan - Food for the Souls, curated by Dolores Mercado, National Museum of Mexican Art, Chicago; III Bronx Latin American Art Biennial, Bronx, New York; “Les Saltimbanques” an homage to Gustave Doré at the Musée d’Art Roger-Quilliot - MARQ - in France, where his work was exhibited alongside Doré’s Masterpiece; III World Body Art Conference in Venezuela, Lia Bermudez Museum; V Biennial of Caribbean Dominican Republic, Museum of the Dominican Man; 8th Triennial - Mondial de L’Estampe et de la Gravure Originale in Chamalieres, France; 6th KIWA at the Kyoto Museum of Art in Japan; Takanabe Art Museum, Miyazaki, Japan; Latin American & Nicaraguan Printmaking, former Convent of San Francisco Museum, Granada, Nicaragua; 24 Grafiekbiennale Sint-Niklaas, International Exlibriscentrum, Stedelijke Musea, Sint-Niklaas, Belgium and the XIII Art Salon, Identity Imprint: A Glance at Ibero-American Printmaking at the Mexican Cultural Institute in Washington, DC. He has received various awards, most notably the “National Printmaking Award 2012” given by the Nicaraguan Institute of Culture in Managua, Nicaragua and the award- poster for the Ecology and Human Rights in Banana Plantations in Costa Rica, given by GEBANA in Berlin, Germany. Barberena’s work is included in numerous public and private collections, including Ortíz-Gurdián Museum, León, Nicaragua; Douro Printmaking Biennial Collection, Museu do Gravura, Alijo, Portugal; Loyola University Museum of Art (LUMA), Chicago, USA; Artist Printmaker Research Collection, Museum of Texas Tech University, Lubbock, TX, USA; Special Collection, University of Colorado at Boulder, CO, USA; The National Gallery, San José, Costa Rica; Museum of Contemporary Art “Julio Cortazar”, Managua, Nicaragua; Permanent Art Collection of the Bibliotheca of Alexandrina, Alexandria, Egypt; Benedictine University, Lisle, Illinois; KIWA, Kyoto, Japan; the School of Fine Arts, (UNAM), Mexico; the Triennial Prints Cabinet, AMAC, France, the International Exlibriscentrum, Stedelijke Museum in Sint-Niklaas, Belgium; the Lia Bermudez Museum, Venezuela; Former Jesuit College Cultural Center, Patzcuaro, Mexico and Praxis Gallery of Nicaragua. www.carlosbarberena.com
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